Monday, July 09, 2018

The Harrowing of the North




The Harrowing of the North / New Music From Yorkshire
End of the Alphabet Records. EAR 33
Cassette/DL

150 copies.




‘I was demoralised when I left Bradford for Florida.’

The above quote comes from the composer Frederick Delius who was born in Bradford and forced by his father to try his hand at growing oranges in Florida when all Frederick wanted was to make music back home. I used the quote on a tape I released a number of years ago now. Called ‘The Feeding of the 2,079,211’ [the population of West Yorkshire at the time] it pulled together the likes of Smell & Quim, Filthy Turd, Ashtray Navigations, Astral Social Club, Ocelocelot and Mutant Ape [remember him?] all of whom resided within the counties boundaries at the time.

The Harrowing of the North goes one step further than ‘Feeding …’ and extends its remit to include the whole of Yorkshire. And why not as Barry Norman used to say. Being the largest county in England [did anybody ever tell you that?] its bound to be chock full of all manner of interesting noises, sounds and musics and we’re not talking indie bollocks Pigeon Weddoes bollocks footy anthem bollocks or hair metal from Sheffield.

From ‘Feeding …’ only Ashtray Navigations find themselves making the leap to ‘Harrowing …’. Having lived in Leeds for so long now we can give both Phil and Mel honorary citizenship. They deserve it. They open it. As they should and they still sound as important and vital as ever. Its to the new names and new arrivals that I point my finger at first though. Thank you for coming and being here [and to those of natural birth for staying]; Sophie Cooper, Stuart Chalmers, Core of the Coalman, Eleanor Cully, the ethereal and esoteric Hawthonn, the visceral YOL and here for the first time the much vaunted Guttersnipe, Leeds’ most talked about but label shy band who give us a tantalizing eight seconds worth of a drumstick rattle, a scream and a ‘what for’, which is a near as you’re going to get to a ‘fuck you’ on musical terms. A couple of names are totally new to me; Eleanor Cully and Soon the Light, the former a Huddersfield based composer with one minute and twelve seconds of deep rumbling that could have been recorded from the insides of a pillow that was inside a piano when the lower register keys were being gently hit, the latter this counties answer to Amon Düül meets Yes’s trippier moments with some like deeply stoned ethereal female vocals and gently strummed acoustic guitars.      

Neil Campbell whose duty it has been to collate and supply the sleeve notes [and who along with Ashtray Navigations this compilation would seem incomplete] appears with Vibracathedral Orchestra who have the longest track here, a fifteen minute drone rattler as captured live at Total Inertia. Paul Walsh, who like Campbell was once in Smell & Quim arrives under his noisy Foldhead moniker with a particularly irritating [in a good way] blast of grating computer chatter, John Clyde-Evans, last seen wandering the hills above Hebden Bridge is joined by some friends with a cut from a concert at Greenhead college thats a sinewave getting shorter and sharper.  One half of Hawthonn is Phil Legard who with last track delivers a sublime, fog across the lake drone of the gentlest measure.

We could talk about who was left out of this comp which if I were to bore you with a list could run to quite some length. A list that continues to grow. This week I discovered a band from Sheffield called Black Slipper who work within the Industrial synth pop framework as built by the likes of fellow steelers Cabaret Voltaire, Vice Versa and The Human League. Its a big county with a diverse musical background, one that continues to impress me and give me far more musical pleasure than Florida ever did. Delius was right.

Harrowing of the North is an hour long comp released to coincide with this years Tor Fest; Experimental Yorkshire, an all day event taking place at The Trades in Hebden Bridge on July the 21st. See you there.



Trades Club + Tickets Info


End of the Alphabet


More details from The Quietus






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