Wednesday, November 07, 2018

Rovar 17

Rovar 17 - Csonkolt Tündér
Unsigned Label. US046.
50 copies.

Is there still room in my life for music such as this? This being Industrial Ambient Noise Dance as made by very competent musicians in Hungary who go under the names ‘MaN’ and ‘Stadlmeier’ and ‘Syporca Whandal’ - these being the collaborators in this release. It would appear that there is, though my appetite is never really a healthy one anymore. At the moment I’m very much an after dark R3 kind of person; shellac discs of obscure folk musics, Jim O’Rourke’s latest and the odd drama should I find myself in the mood. I caught the last half hour of R3’s Through the Night programme on Monday morning as the car warmed ready for the short journey to work, John Shea played Debussy’s first two Preludes and for a few moments there was just me, Debussy, the hum of the car engine and not much else. It reminded me of the story Peel used to tell about him hearing Roy Orbison coming out of a workshop radio while he stood on a train platform waiting for the last train, ‘Only the Lonely’ drifting across the damp winter night air and almost bringing the man to his knees with it. 

Needless to say, Csonkolt Tündér [‘Truncated Fairy] didn’t have that effect on me, though I dare say there are people out there who delight in all manner of heavily processed Dance Noise [as that is what I shall call it]. Side one has five tracks and side two one long track that runs to just over the half hour mark. The shorter work on side one bears an uncanny resemblance to the longer work on side two which is [I’m sure you’re pleased to know] a live outing as recorded in Augsburg earlier this year. The title track comes first and is all fast beats and swooping noises like the soundtrack to a Japanese film where all the action takes place inside an upright video arcade game. Second track ‘Violation of the Taboo of the Forbidden Places’ is like a noisy Orb track where the rhythm gets nicked from a rampaging Aphex Twin outing before getting shoved through all kinds of mutations to make it sound like its coming out of your diaphragm. Next track ‘No Longer Metaphysical Spirit’ is moe of the same with the rampaging beats being obliterated by gallons of noise. And on it merrily goes.

I get the feeling that Rovar 17 started out as a Techno outfit until one day they got bored and decided to give Noise a go. Its all very well done and through a decent sound system it will punch its weight but its not Debussy and its not Roy Orbison is it.

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