Tuesday, March 14, 2017

Venusian Death Cell

Venusian Death Cell - Sick Songs
Self released CDR

Venusian Death Cell - Fines of the Other World
Self released CDR

A recent Twitter convo led to the revelation that a certain Bald Head of Noise had no Heavy Metal records in collection whatsoever. Not a single one. Then I wondered how many I had and when was the last time I bought a Heavy Metal record and listened to it and the answers were, four and a long time ago. I remember buying a Bolt Thrower LP because Peel played a track that I liked and then one day I realised I hadn’t played it for 20 years so I sold it on Discogs for about £50. The rest is Sabbath of course.

I was thinking earlier today that the time was right to delve once more into the world that is that of the Irish Heavy Metal band Venusian Death Cell and David Vora, its one and only long standing member. Vora has been sending me his music for many years now and they’ve all remained constant and of a kind. That of the outsider Metal artist recording his music onto what sounds like a cassette recorder using either a guitar or drums or [as it sometimes seems] upturned buckets. His vocal style swings between tortured scream and devilish whisper but his main draw is that he sounds nobody else at all. Not just in the world of Metal either, I’m talking anywhere.

So I arrive home and there’s a padded envelope from Ireland on the mat and I know instantly that its another Venusian Death Cell release. Which it is but whats this? A cover definitely not from the hand of Vora and a staggering twenty tracks that run to a full thirty minutes. What soon becomes apparent is that as well as his cover art changing so is his over all sound and direction. 'Fines of the Other World' [the one that came today] contains much more acapella work than previous releases and three, [count ‘em] three busking sessions. Busking outings that contain works of such originality that two of the tracks have little in the way of music on them at all but instead lots of Vora having conversations with passers by as recorded by someone fifty feet away. At one stage Vora asks with genuine astonishment ‘did you put some money in there?’, to someone else he sings Happy Birthday to someone else he proclaims that he’s in ‘one of the biggest bands in Ireland’ and on the last he strums his guitar until he busts a string. Rock And Fucking Roll. And don’t forget Halloween a song in which he repeats the word Halloween in a demonic kind of voice [its an oldie but a goodie]. Of the tracks actually recorded in front of a condenser mic there’s lots to consider but instant fave is 'Hellground' which has more in common with trash noise as Vora spits out his lyrics to a trash racket. There’s the lyrics too, Vora always includes some lyrics, lyrics that have been hand written, photocopied, sized down and reproduced on the inner sleeve for our delectation;

‘Angel has left the path of birth,
Now her arms stretch in pain’.

From ‘Angel in Pain’   

'Unlearnt' has poignancy, a plea to the world to sort its shit out against TV static. Last track 'Created Creature' is Vora hitting a solitary drum while leaving lots of space in-between the beat like he’s following someone on Youtube with the sound turned down.

'Sick Songs', the VDC release I’ve had for a while, is all over and done with in fifteen minutes. 'Screaming Babies', 'Deathspell', 'Angel, Angel' and a track called 'Leopards' which has Vora hitting guitar strings and shouting the word Leopards at its end [and if you look on the inner sleeve there seems to be some kind of rudimentary tablature so that you can play along at home]. Instant classics the lots of them, including the Slayer cover 'Piece by Piece'.

From his Dublin home Vora gives me what my music collection lacks; more Metal.

Rock on.

davidvora10 [at] hotmail.com 

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